As a Peabody Award-winning, Emmy®-nominated senior video producer and editor, I have led teams of creatives and technicians to craft bold stories around daring real-world topics that provoke, question, and celebrate our world. 

My passion for social equity and environmental justice stories, coupled with renaissance production skills and a collaborative spirit, have fueled my career thus far.

With expertise in the trenches and on the front lines of media production, I conceptualize, develop, write, produce and edit. I have steered tech, digital and financial management applications, to strive toward blue sky goals with looming deadlines and tight budgets, all while fostering a collaborative and positive work environment.

I've built my career bridging the gaps between cinematic documentary programs and compelling unscripted television, between journalistic reportage and branded entertainment, and between traditional and evolving content platforms.

I spent 10+ years at television networks with strong brand identity and prestige--Sundance TV and BBC America, and have worked extensively in the independent film and television communities as well as in branded and digital content creation. 

In 2014 I began a career change, as I realized that moving up the executive ladder took me further away from the real characters and true stories I loved crafting. I trained and built a new path as a documentary editor. Since then I've worked strictly as an editor in film, television, digital, branded and social programming, and occasionally put on my producer cap for projects as a consultant, producer, pitch doctor and story editor.

In 2016, I and 5 of my producer friends formed the Documentary Producers Alliance, to tackle some fundamental disconnects we saw in the industry that prevent independent documentary producing from being a sustainable career. I then brought my experience with the DPA to the Alliance of Documentary Editors, an organization with a similar mission in the field of editing, to educate the industry on sustainable labor practices for documentary editors.

In 2025 I worked with the viral group Nonfiction Hotlist-- the unscripted answer to The Blacklist, to evaluate 800+ unscripted pitches, select a handful and release them to the industry public, in an effort to fuel the creator revolution in a recalibrating media landscape. 

When I'm not making videos, series and films, I make other things, like soap, in my house in upstate New York.